Scare Tactics: Haunt Marketing Strategies Part 1
Capitalizing On Fright
In previous posts the main topic of discussion was start-up and operation costs, and how operators MUST properly manage these items in order to have a profitable haunt. Although marketing can be, and most assuredly is, a significant cost item, there exists the potential to turn this item into a lucrative revenue stream if handled appropriately. These next series of posts are dedicated to illuminating potential avenues of approach when trying to market your haunt, both for the start-up, as well as, the seasoned haunter.
Marketing 101: Haunt Start-Up
Marketing….what a simple word which elicits many definitions depending upon the person or group you ask. Well, I like to keep things simple and go directly to the source. The definition of marketing, as found in the dictionary is “(1) the act of buying or selling in a market, (2) the total of activities involved in a transfer of goods from the producer or seller to the consumer or buyer, including advertising, shipping, storing, and selling.” First-things-first, define your market. Every haunter, including myself at one point, likes to state that EVERYONE is his target audience. It may be true you want to get as many people through as possible, however there are certain niches which haunters fulfill. Much of your market will depend upon the type of event you are hosting, i.e. is there extreme gore, are you a family venue with a pumpkin patch, are you corn maze, etc. For most start-up haunters, which do not have a built-in audience, trying for a more general theme will most likely work best, as you will be able to reach a broader, more diverse demographic.
Temporary attraction providers, which tend to have multiple themes, can utilize this effectively by segmenting their attractions, i.e. this section is for older customers, while other sections are more family oriented. This, in turn, can broaden the scope of your general marketing strategy. For example, start your haunt early and run a special for families with children, i.e. parents get in free or kids get in free or half-off adult tickets, etc. You can limit your staff and set-up the attraction more as a general walk-through and pass out candy.
Once you have established your location and market segment you are aiming for, you are then prepared to begin prepping your marketing plan.
Sponsors, Sponsors, How the F* Do I Get Sponsors??!! Radio?
If you’ve ever uttered those words consider yourself a professional haunter. Haunt sponsorship, as with any sponsorship, is a slow, grinding process which can turn even the most stoic of haunters into apoplectic fits of supercilious rage. First year haunts, are almost always the most difficult to sponsor. Outside of radio stations, which typically work on your naivety and lure you in with promises of great demographics and ‘sister’ station promotion, most ‘sponsors’ are typically unwilling to work with an unproven haunt. Even upon commencing with a radio advertiser, as most haunters choose this route, make sure you know what you are getting. See how many commercials you get per day, during what hours, and if they are willing to ‘stack’ your promotions towards the beginning, and up to one week before the opening of your season. The more times people hear your commercial the better. But let’s face it, radio is beginning its long, slow death. And although by no means at its nadir, it’s definitely not the medium it once was, say 10 years ago. Most haunters are tired of the bastard ‘sister’ station, main radio stations always try to pawn off as a way to ‘cross’ promote our haunts via other venues. Whenever a sales executive says lets ‘cross promote your haunt with our new, dipstick AM, no news just talk radio station,’ makes the hairs on a certain nether region twinge.
Perhaps this is why most haunters are slowly beginning to ditch the medium altogether. Although I’m not ready to abandon radio entirely, as its serves a function, especially in those beginning, awkward years, when you are trying to tie in other sponsors by selling them ‘time’ in your commercials. You definitely should know its limits. Nonetheless if you choose this route make sure to focus on the following:
(1) Buy radio ads toward the end of the year as most radio stations are setting their operating budgets for the following year. As such, they offer specials for commercials placed during this time. This, in turn, allows you to get more bang for your buck.
(2) Frequency: Make sure to stack your commercials prior to event opening, i.e. have your commercials play every half hour or greater. Then you can slowly tone down the amount of play time towards the end.
(3) If you can get in early, see if the radio station will sponsor your event. You purchase air-time and then they give you additional ‘free’ air-time. Make sure you get them to do ‘live’ remotes and when I mean ‘live’ I mean LIVE, like having an actual on-air DJ show-up, not his sycophantic interns.
(4) Try to re-sell your air time to other sponsors in the area. If you can purchase the commercials early in the season, this could possibly impress other possible sponsors by your ‘can-do’ attitude.
(5) Location, location, location, make your location work for you. Tie in your location with your radio advertising
(6) Make sure you do the custom audio on your commercials and not some disgruntled janitor the radio station picks up off the street. If this becomes cost prohibitive, at least make sure you hear a few takes before you sign off.
Well, that’s it for now…till next time….Happy Haunting!!!